Showing posts with label DragonMage. Show all posts
Showing posts with label DragonMage. Show all posts

Saturday, April 23, 2011

Project Updates

I started out the year hoping to blog weekly about my writing and art endeavors. I also started out the year thinking I was going to have a lot of them. Neither of these has worked out well in the past couple weeks. So what's been going on?

Writing
DragonMage
I've been bouncing around a bit, trying to find the plot. After the last post, I finally managed out some plot arcs an start on writing. I got through the prologue, a really rough first chapter, and the third chapter before I realized two things: 1) My outline is too sparse, 2) I didn't have quite enough conflict. These are related. For this project, I had mostly thrown out the 3-act structure ideas, and just tried to break my story down into roughly 30 scenes. The plot arcs are much more closely tied than in Ariadne's Labyrinth, which I consider a good thing (the golem plot never quite fit into the rest of the story). The problem is that not every plot point has conflict, and so not every plot point is really strong enough to carry a 3000 word chapter. For example, chapter 3 that I wrote ended up combining 2 of the plot points, and still had about 5-600 extra words of drudgery inserted just to make the wordcount. My current plan is to look more closely at the 3-act structure again, add in a couple extra subplots to explore some themes, and try and line up the climaxes better. This might entail slight changes to the ending, since I realized I was missing the really dramatic climax.

I have sorted out more of the magic system, strangely enough by ignoring the issue I was having earlier. It's more cohesive, but there's a little thread of uncertainty as to how robust it is. I'll try and get up a dedicated post about it over the next few days.

Kat Files/Dirty Angel
I don't know how much I've talked about this project. The Kat Files came out of a conversation with a friend (strangely enough, named Kat). All she did was offer the working title though. I wrote the first few pages of a script, as part of a severely reduced Script Frenzy endeavor. Finding the plot for this piece has been a lot more difficult. After writing in one direction for the plot (making the plot about her friend finding out about the war and trying to get herself involved), I stumbled across a much more interesting plot involving blood. Because it's always about blood. The problem of course is that this plot really came out in the penultimate scene. The current plan is to revisit the first couple scenes, either compressing them severely, or cutting them entirely, and moving the penultimate scene to the beginning, and moving forward from there. The plus side here is that the plot is much more interesting. From a story structure perspective, I had originally planned on 7 scenes,  but after discussion with the writing group, I'm not convinced that having a scene for each of the 7 plot points I'd laid out is a good thing. The piece has also been tentatively retitled as Dirty Angel for the time being. Whether this seems to lend itself more to a porn title than an animation remains to be seen.

General Writing Thoughts
I think my ties to the 7-point structure is becoming more of a hindrance. The idea is really meaningful, and I think it structures the vast majority of plots. The problem I seem to be having is that not every plot point stands on it's own as a chapter. And that's okay. This is a much too literal interpretation of the method.  I think what really needs to happen is that these plot points should set out a skeleton for the plot. Some chapters can support multpile points, and sometimes multiple chapters are needed to support a single point. And so, instead of driving chapters, these events are things that need to happen during the course of the plot. The plot however, is going to be dancing around them and will become much more centered on interesting conflicts for the characters. Looking forward, I think I'm going to try two experiments. Hopefully by putting these out on the blog, I'm going to be held accountable for them. The first, I'm going to select one of my favorite books: Haunted, by Kelley Armstrong. I'm going to do a chapter-by-chapter structural analysis. Hopefully from there, I can try and extract these 7-points, scenes and sequels, and the three act structure, to see how they all fit together. If some are missing, then that's okay too. The second experiment is to try a scene-sequel outline holding the 7-point plots in my head (or on wiki, as it may become). With any luck, this will be informed by the first.

Depending on how the first experiment goes, I may also try a similar approach with Name of the Wind and Wise Man's Fear, both by Patrick Rothfuss. This has been kicking around in my head due to two things: 1) My marathon read of Wise Man's Fear (for those of you who hadn't heard, I read the entire 900+ page book in one, 13 hour, sitting.) 2) Mark Reads. If you haven't read him, I highly suggest it. The project started at buzznet, when he started reading Harry Potter and Twilight. He went through each story one chapter at a time, and blogged about his reactions. He's since bought his own domain (markreads.net) and has continued. The idea of a chapter-by-chapter reactionary blog post is really interesting, and it's fun to watch him rediscover books you love (or hate) and watch his reactions. I've thought about doing a similar review of the two Patrick Rothfuss books, but since there's 250+ chapters between them, this would take most of a year, even blogging daily. Still, a quicker pace might still be a meaningful experiment for the summer.

Art
I've been delayed in my art and modeling projects, mostly due to work, writing and reading. The reading challenge has taken up much more of my time than I originally anticipated, and so some of my other projects haven't gotten done. I may not do much more modeling this year. I hope to still finish the logo I've been working on, and will do some preliminary design work for my AetherCodex project, but the modeling for the Dirty Angel movie will be postponed.

Reading
I won't be doing a full dump of the books I've read recently in this blog post. I'll try and do a dedicated one in a couple of days. I'm slightly behind on the challenge, about 10 books (At 36/150). This can be fixed with a couple dedicated reading days, but that may not be possible until the summer.

Monday, January 17, 2011

Need a title

Many things to talk about today. Let's start with a review of last week's writing group. Last Thursday was the first day the writing group had gotten to look at my writing. They had a lot of comments. I agree with most of them, and about half of them were actually covered by the previous blog entry.

First thing, they didn't like the characterization of the narrator. Apparently she comes off as younger than I intended, and more masculine than I intended. Same with James. So I either need to grow them up, or let them be younger. I'm not sure which I'd prefer. THey also agreed with my assessment that the diary wasn't working. It introduced more problems than it solved, and while I like the idea, it's not well executed. It'd take some serious work to get things up to shape that way, and it might be safer to just remove it all together.

While they loved the worldbuilding, they thought there wasn't enough exposition about it. I was so worried about avoiding an info-dump (esp. because of the diary medium), that I didn't actually accurately describe the setting. Going into deeper detail of the crazy artifice would have been awesome. They agreed that there wasn't enough emotion (/ reaction), which I knew. Some of the reactions were also out of character (wondering something the character would know). And the stakes weren't well defined, or didn't generate the correct worry/fear, because of the lack of depth in the explanation of the guilds. THe book came off as too much of a McGuffin, probably because it was introduced accidently. On a more amusing note, they expected a note in the bakery scene (which was present, but cut out in edits).

So it sounds like I have 3 main things to think about for the next step: Think a bit harder on my characterization (make sure they seem the age they're supposed to, etc.), provide more description / grounding into the setting, and show more reactions / emotions. Beyond that, some elements of craft (consistent capitalization, formatting, etc.) need to be read through a little more carefully before I throw it up online.

So, with that in hand, I want to talk a little bit about my ideas for my DragonMage rewrite. Now only a handful of people have read the original draft, and frankly it has a lot of problems (I almost wish I had submitted a few chapters of that just so the group saw how far I came before what they saw / tore apart ;)). I've been tossing around genre considerations for a few weeks on it. As written (or at least, as it was in my head), the novel is the first in a trilogy, with each book in the trilogy in different genres. It's not going to work that way. I was listening to an interview, with Patrick Rothfus, at San Diego Comic Con. He talked about his definition of urban fantasy, and fairy tales. This got the gears rolling in my head. The basic premise of his definition is that there are two worlds, the mundane normal world, and the magical other (faerie) world. And basically, the plot happens during the interaction between the two worlds. So, by keeping Magic in the shadows, I could in effect leverage Faerie/UF themes and tropes to keep consistency through the three novels, as they jump from setting to setting. I'm still thinking through all the ramifications, but it is a promising idea.

The other idea I've been kicking around lately is a different way of fleshing out characters. My characters are pretty 1D, and they need more. Secondary characters suffer more than primary, naturally, but even my primary characters have some problem with this. I've heard a couple people mention t his method before, but I never read too much into details, and I've never investigated it myself. So, for this blog entry, I will attempt it. THe basic idea is to do a tarot spread for the character, to discover who they are, what blocks them, and what's in their future. From there, I hope I can plan an arc for the character that is interesting, and I can more consistently characterize them.

So, for this exercise, I will pick the narrator of the sequel for DragonMage, Jeshi the Bloodmage. I've talked about her a little before on this blog (which is why I'm starting with her, truth be told), but this may completely reinvent her.

The spread I'm using is called the Mandala Spread. The deck I'm using is the Shapeshifter Tarot, which includes all the minor arcana and major arcana (though renamed to fit the decks themes), as well as three extra major arcana.
So let's get started!

  1. An overview of self - Seeker of the Earth: Initiation, inner and outer strength
  2. Ambitions / Goals - The Sacred Flame: Emotion, Energy
  3. Ideals, Dreams - The Warrior of the Earth: Self-responsibility, Shapeshifting
  4. Real achievements to this time - Deception: Spying, Loss through deception, wrong choices
  5. Dependencies, Faulty beliefs - Wealth: Abundance, Gain, Family, Strength
  6. Strenghts and positive traits - Abundance: Healing, Success, Prosperity
  7. Faults and Weaknesses - Transformation, Release, Renewal
  8. Self Perception - Happiness: Contentment, Success, Love
  9. Desires - The Lovers: Attraction, Enticement
Well, I'm not sure how I'm going to put all that together. A lot of the data seems to fit more with Sabine, rather than Jeshi how I originally imagined her. (Though the tie to energy is how blood magic works). Look for my next entry on the magic system, and an attempt on how to tie it together.


Before we close, an accounting of the two books I've finished since my last entry.
Witch and Wizard
  The first book in the series by James Patterson, Witch and Wizard tells the story of two young kids who get arrested under charge of witchcraft, and it changes their whole world. The mythological worldbuilding is decent, but the political  landscape pulled me out of the UF genre, where I thought I was. I had a hard time believing in the New Order, at least as it sit in modern time, though the rest of the setting was placed as such.

The Problem Child
Third book in the series by Michel Buckley, we see an arc I've always loved in fiction: Magic addiction. Probably because I'd be prone to it myself, I always sympathize with characters who get touched by magic and find themselves overwhelmed, and reaching for it as a first solution to every problem. The stakes are higher now, and the villain has been revealed to be a pawn. All in all, a good step forward. They're keeping the tension high, even though they've made progress on what I thought was the overarching plot.